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“These nervous troubles are dreadfully depressing”, wrote Charlotte Perkins Gilman in her short story, The Yellow Wallpaper.This is not an example of the work produced by our Essay Writing Service.You can view samples of our professional work here.“I wonder if they all come out of that wallpaper as I did? Her husband, on opening the door, collapses as the narrator declares: The Yellow Wallpaper illuminates the challenges of being a woman of ambition in the late 19th century.While all women were seen vulnerable, those who expressed political ambition (suffrage reformers), or who took on male roles and challenged female dress codes (New Women), or who sought higher education or creative lives – or even read too much fiction – could be accused of flouting female conventions and placing themselves at risk of mental illness.There she is to rest, take tonics, air and exercise – and absolutely forbidden to engage in intellectual work until well again. The room her husband selects as their bedroom, though large, airy and bright, is barred at the window and furnished with a bed that is bolted to the floor.The wallpaper is torn, the floor scratched and gouged.“City-bred” women, Mitchell concluded, might be poorly equipped to fulfil the natural functions of motherhood.Gilman was treated with the “rest cure”, devised by Mitchell, as is the protagonist of the story; like an infant, she was dosed, fed at regular intervals and above all ordered to rest.In her autobiography, published in 1935, Gilman wrote of the “dragging weariness … Absolute misery” following the birth of her daughter that led her to consult Dr Mitchell.The story can also be seen as a rich account of neurasthenia or nervous exhaustion, a disorder first defined by Mitchell in his book Wear and Tear, or Hints for the Overworked in 1871.